Chattering Surface Texture Tequenique on Tall Forms – Potter’s Wheel Demo

For more texture techniques, altered forms and pottery tips, visit lakesidepottery.com This chatter technique is using a metal to quickly create surface texture on a vase, cup or tall Form pot thrown on the wheel. This clip is provided by Lakeside Pottery, Ceramic School and Studio in Stamford, CT. Lakeside Pottery is a ceramic art and craft educational resource for the community focusing on clay art. We seek to inspire creativity, foster self-discovery, and nurture an appreciation to learn about art through our pottery programs, special events and access to our studio, clay center and gallery. IN OUR FACILITY …. Learn the art of pottery through our ceramic art classes, using the potters wheel and ceramic sculpting, in a professional, spacious and well lit studio centrally located in Stamford, CT. Instruction activities for children, adults and seniors include group classes (beginners and advanced), private lessons, after school art for kids programs and summer camp. Open Studio time can be purchased for independent work. Teachers professional development, corporate team building workshops, custom programs, birthday party events for children or adults and gift certificates are also offered. Our gallery include diverse handmade pottery work made by our instructors. We service all of Southern CT, Fairfield, Westchester and Rockland County and Stamford, Darien, New Canaan, Greenwich, Westport, Cos Cob, Norwalk, Fairfield and Pound Ridge, NY Lakeside Pottery 543 Newfield

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original abstract painting techniques www.PetesOriginalArt.com

This video is one of my personal favorite videos so far, where I share with you the abstract painting techniques I used to paint the painting called “Mermaid” 36″L x 18″W. For more of original abstract paintings and videos please visit my website at petesoriginalart.com If you are an artist, you have a passion. Your passion is art. Why bother with expensive oils which can take a long time to dry, when there is the less expensive and just as colorful media of acrylic paintings? If you call yourself an artist, your mind flowers with ideas, so many that your day doesn’t have enough hours in it to put them all down on canvas. First you sketch an outline of what you want to paint, then you add the color. If your medium is oil, you may use acrylics as a base underpainting, but why stop there when you can use acrylics for the final embellishments as well? Many artists use acrylics with a grayish or grayish-blue hue as an undercoat because this adds depth to the finished work. If an artist uses this technique, then he can have a number of paintings in various stages of completion, thus fueling the synergy of his work: Work A, for instance, may be nearing completion and lacks only the addition of shadows to the subject, while Work B has the requisite background but needs the foreground fleshed out more, while Work C is in the first stages of underpainting as the artist searches for just the right colors to bring out the richness of the projection final appearance of the work. It

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