Glass painting is a very popular art form. It is executed on the glass sheets with oil and hard resin or with water color and gum on glass sheets. Glass painting is a folk art tradition which flourished from the 15th to the 18th century in Europe and North America. The technique of painting on glass flourished in India in the 18th century under the influence of the Chinese artists who lived and worked for the nobility and royalty.

Unpainted areas of glass are coated with mercury, which provides a mirror background to the colored images. It creates a kind of illusion between the viewer and picture space. The colors seen through glass appear translucent, as they cannot be touched. It gives a jewel-like appearance which is magical.

Glass paintings have various themes:

Animal Glass Paintings

Mughal Glass Paintings-

Indian Epic Glass Paintings

Bird Glass Paintings

Designs and Patterns:

Glass paintings involve various design and patterns that are enticing and mesmerizing. It consists of various designs patterns that are exquisite. The various mediums, forms, imagery, subject matter, and symbolism are employed and adopted to create a glass painting. The visual format of a glass painting has expressive patterns of arrangement of lines, shapes, colors, tones, and textures. The usage of colors and shapes in a glass painting communicates a particular mood, and creates forces of both harmony and tension.

Process:

As the name suggest, Glass painting is done on clear glass. Glass painting is a unique art that requires immense skill. Painting on glass involves a process different from the procedure used when painting on opaque surfaces. It is extremely difficult and requires visual memory and fine detailing for the finishing and shading lines. The picture mounted with its unpainted side uppermost so it can be viewed through the glass.

Glass painting development:

Glass painting technique is spread extensively in western and southern India, across Uttar Pradesh, Rajasthan, Bihar, and Bengal. The town of Thanjavur in Tamil Nadu is known for the craft of painting on glass. Often the glass paintings are referred to as the Thanjavur sacred icon paintings. To make devotional images of God and Goddesses, the glass paintings are decorated with gold leaf. The rich and bold colors are used giving a feeling of opulence. The paintings of the deities is placed within a formal frame depicting heavily fringed and tasselled curtains, chandeliers, glass lamps, winged angels, or heavy furniture.

Popular Glass Painters:

Glass painting is regarded as a fine art in northern Europe. Some of the popular glass painters in Europe are Willi Dirx, Ida Kerkovius, Lily Hildebrandt, Klee, Oskar Schlemmer, and Heinrich

Reverse glass painting:

Reverse painting on glass is an art form consisting of applying paint on a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image. This art form has been flourishing for years. This style of painting is famous for the depiction of the Hindu deities especially in Southern India. It involves a large amount of Gold paint and uses colors like red and green for the gem stones adorning the deities, which provides real jewelry effect. Acrylic paint is the commonly used painting medium.

Stained glass painitng:

The term stained glass refers to the material of colored glass or the craft of working with it. It is applied to the windows of churches, cathedrals, and other significant buildings.

It is made in flat panels and used as windows, and also include three-dimensional structures and sculpture.

Timmy

is an experienced education and Art and entertainments consultant who has been in the industry for quite a few years. Working as a consultant, he also has written a number of articles on entertainments

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When beginners are doing oil paintings, they should try to paint as if they were doing a drawing, and avoid painting as if they were painting a wall. Learn about putting a ground in oil paintings with help from an artist in this free video on oil painting techniques. Expert: Carlos Navarro Contact: www.absolutearts.com/portfolios/c/carlosnavarro Bio: Carlos Navarro is an artist and history teacher at Design and Architecture Senior High, in Miami, Fla., who was born in Havana, Cuba. Filmmaker: Paul Muller

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While visiting China, you will have the opportunity to learn traditional Chinese painting as well as calligraphy. While touring the ancient city of Lijiang, the paradise scenic city of Guilin, or visiting the noted mountain Huangshan, You will find here the most popular thing to buy is scroll of Chinese painting. You will also find it is extremely interesting and intriguing to paint with soft brushes. If you are a Chinese art lover, don’t forget to take some of these stuffs back home.

Chinese painting is also called traditional Chinese painting. Just as its name implied, Chinese painting is painted with traditional Chinese painting tools in accordance with Chinese aesthetic standard. Chinese Painting has developed a unique style.
 
Chinese painting is painted on rice paper or thin silk with brushes, Chinese ink and Chinese painting dye. In terms of topics, Chinese painting can be classified into three branches: human figures; Landscapes; flowers and birds. So the painting of ladies, the painting of mountains and the painting of insects and fish belong to the three branches respectively.
On painting techniques, one is traditional Chinese realistic painting characterized by fine brushwork and close attention to detail, the other is freehand brushwork.

The Legend of Chinese Painting:

In 1949, the earliest work was unearthed from a tomb of the Warring States Period (475-221 B.C). The work was a painting on silk of human figures, dragons and phoenixes. This is the earliest work on silk ever discovered in China, it measures about 30cm long by 20cm wide.

From this and other early paintings on silk, it may be easily seen that the ancients were already familiar with the art of the writing or painting, brush, for the strokes show vigor or elegance whichever was desired. Paintings of this period are strongly religious or mythological in themes.

Paintings on paper appeared much later than those on silk for the simple reason that the invention of silk preceded that of paper by a long historical period.

In 1964, when a tomb dating to the Jin Dynasty (265-420 A.D) was excavated at Astana in Tinpan, Xinjiang, a colored painting on paper was discovered. It shows, on top, the sun, the moon and the Big Dipper and, below, the owner of the tomb sitting cross-legged on a couch and leisurely holding a fan in his hand. A portrayal in vivid lines of the life of a feudal land-owner, measuring 106.5cm long by 47cm high, it is the only known painting on paper of such antiquity in China.

The Classification of Chinese Painting:

Chinese Figure Painting: The style for paintings that illustrates human figures. “Figure” in short, is a major genre in the Chinese Paintings. Chinese Figure Painting is generally divided into Taoist-and-Buddhist Painting, Female Images, Portrait, Genre Painting, and History-story painting, etc. Figure Painting strives for precise and lifelike depiction of the character’s personality, both outlook and spirit. In the contemporary age, Figure Painting stresses more on “learn from the nature”, assimilates the western techniques, and has made progresses in both modeling and coloring.

Chinese Landscape Painting: regularly features mountains, water or mist which are symbolic. Water and mist donate happiness and good fortune with the mountains represents long life. Some artists who like to include people, animals and homes into the painting are trying to convey a feeling of a fortunate long and happy life with the unison of soul and nature coming together.

Chinese Flower-and- Bird Painting: Flowers and birds, being the leading figures since Neolithic ceramists painted their works, have conveyed the metaphors and images of artists for more than a thousand years. For example, the pine trees represent the uprightness and immortality. Together with the bamboo and prunes, the pine trees are known as the three friends of winter. The orchid, a modest flower, is often used to describe the virtuous artists and scholars. Another much depicted group of flowers are the flowers of the four seasons. They are the peony-standing for the riches and honors; the lotus-coming out of the mire without being smeared and meaning for purity; the chrysanthemum-meaning for elegance, righteousness and longevity; and the prunes-meaning for bravery and the messenger of spring.

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Learn how to finish an oil painting in thisfree instructional video art lesson on oil painting. Expert: Vince Fazio Contact: www.vincefazio.blogspot.com Bio: Vince Fazio, an artist for 29 years, is currently the Art director of the Sedona art center and has been for 9 years. Filmmaker: Chuck Tyler

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In easel painting as much as in mural painting, the supporting material is decisive for the final appearance of the painted work of art.

The choice materials for easel painting have evolved very slowly. The natural wood panel, traditionally square, was either hewn out of a single plank or – to gain more width – assembled with roughly identical planks; wood being the most readily available universal material in pre-industrial times. However, using massive natural wood is in many ways inconvenient.

Cut wood, i.e. wood that no longer makes part of a living tree, has inevitably internal tensions. Wood fibres and cellular mass develop under constant stress. The cellular structure counters and stabilizes unequal growth coming from the bends, twist and turns necessary to keep weight above ground and the tree in equilibrium. When wood is cut into planks, the inside tension, freed from all balancing forces, makes planks warp and bend. Furthermore, wood absorbs and dissolves humidity with considerable structural changes. Keeping the manufactured panel in too humid or too dry conditions, or alternating storage in humid and dry atmospheres, inevitably makes the wood “work” and weakens adherence of applied paint. This is prone to happen with the singular plank painting and is inevitable with the assembly. An assembled panel is a set of unruly elements.

In spite of these shortcomings, the panel gave the perfect support to the smooth-surfaced and multilayered oil painting technique as developed by Van Eyck in the 15th century. His remarkable manner gave to the paintings of his day a never before seen transparency and this feat would have been impossible without the stiff panel underground.

The stretched linen canvas was easier to manufacture and lighter to handle; the linen being stretched onto a thin wooden frame. The design of the stretcher developed continuously over the years to improve maintenance of tension and to lessen deteriorating effects produced on the stretched material (breaking edges). As with all natural materials, linen is subject to tensions and reactions that are spread unequally over the surface and that result in bulging, slackening or tear.

After the First World War the modern board developed, made out of wooden ply, fibres or particles. The great advantage with board was its physical inertia, a direct result of its artificial manufacture. This produced relative insensitivity to structural tension.

The use of linen canvas as support for easel painting has remained well into our days, be it for traditional reasons. However, the aspect of any painted surface varies depending on the combination of painting technique and supporting structure. Canvasses that are laid on board tend to lose much of their initial surface characteristics and the aesthetic result is often unsatisfactory.

There was a natural evolution in the oil painting technique that accompanied the described evolution of the support. With the canvas as support, oil painting became ‘painterly’, i.e. brush-strokes were left visible. This interesting fact we’ll come back to in another post.

The author is an expert on Modern European Painting. See further European Fine Art, European Painting and Wise to Art – a blog on the online art market

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